They finally end up pretending to be newlyweds and accepting a dinner invitation from an alarmingly ahead married couple, Samuel (Vondie Curtis-Corridor) and Lena (Catherine Curtin), who're staying in every other room on the motel and, as good fortune would have it, personal a reel-to-reel participant upon which they have been replaying the similar bossa nova album for years.
Samuel and Lena seize the movie's oddball power in microcosm. The moment they seem onscreen, they spark off all kinds of alarms, however it is onerous to understand why, different that they are exuberant and kooky. Curtis-Corridor and Curtin, each veteran personality actors, get to turn aspects in their ability that we've got by no means observed. Samuel is a Global Battle II veteran and complex global traveler who wears a knotted plaid ascot and can get started dancing sinuously via himself with out a provocation, fingers and hips swiveling, whilst Lena is Frenchwoman who talks and talks, and whose riffs are occasionally so nonsensical that they verge on beat poetry.
They met in occupied France. “What did you do right through the warfare?” Connie asks Samuel over dinner. “We gained,” he replies. The sentence lands with sinister weight as a result of Samuel says it so matter-of-factly, as though it calls for no elaboration, even if it isn't in fact a solution. When Lena shall we Connie and Paul into their suite, she does not simply open the door, she throws it open in a peculiar means that is as apparently unmotivated as the whole thing else she does. (When she launches into an extended riff right through dinner, the film jump-cuts between other takes of the actress acting the scene. There may be one transient shot the place Curtin is talking right into a baguette as though it is a microphone.)
Some other ace supporting participant, Richard Sort, has a subtler but someway similarly unsettling position because the motel proprietor, who ‘s a fountain of too-much-information. Turning in a message to Connie and Paul's entrance door, he apologizes for his handwriting: “I've a slight tremble in my hand. I have had it since I used to be a child. It is mercury poisoning. I used to suck at the thermometer.”
What is his deal? What is Samuel and Lena's deal? What about Connie and Paul? Do they've a deal? Why do all of those characters appear so untrustworthy? They are only a bunch of eccentrics, proper? Is the movie a funny story of a few type? Infrequently it sort of feels to be—particularly once we're listening the tape of the Watergate tape, and the conspirators are yammering nonsense traces like, “Rattling Howard Hughes. Rattling him and his sandwiches!” However then it is going to flip sinister and scary, whilst nonetheless no longer solely committing to creating a major or deep commentary on the rest, and be expecting us to reconcile what it was once and what it became—and that's the reason the purpose the place it is going to return to playing around once more.