“Kinetismus: 100 Years of Electricity in Art” at Kunsthalle Praha


The Kunsthalle Praha isn't, strictly talking, a kunsthalle. It's privately owned and operated by way of the Pudil Circle of relatives Basis, which has completely loaned its assortment to it. However the selection of title is planned, combining the German time period kunsthalle and Prague’s Czech title to sign the founders’ ambition to restore the town’s standing as a crossroads of various Ecu cultures and languages.

Because the Kunsthalle Praha is situated in a former energy substation, it used to be most effective herbal to inaugurate the venue with an exhibition on electrical energy and artwork. Curators Peter Weibel, Christelle Havranek, and Lívia Nolasco-Rózsás took as their place to begin the paintings of Zdeněk Pešánek, a Czech artist and theorist who's in large part unknown outdoor his local nation. Pešánek’s Kineticism: Kinetics in Artwork—Colour Song, revealed in 1941, used to be most likely the primary ebook on kinetic artwork anyplace. Written in Czech, it has but to seek out the wider readership it merits.

A number of the works on view is Pešánek’s illuminated sculpture The Male and Feminine Torso, 1936. The curators hail the piece—fabricated from then-novel fabrics akin to artificial resin, neon tubes, lightbulbs, synthetic stone, and steel—as one of the vital earliest neon sculptures within the historical past of artwork. The sculpture is flanked by way of a duplicate of fellow pioneer Naum Gabo’s Kinetic Development (Status Wave), 1919–20, in addition to by way of an exhibition replica of one in all Marcel Duchamp’s Rotoreliefs, 1935/1959, and László Moholy-Nagy’s 1930 movie experiment A Lightplay: Black White Gray. The curators put those ancient choices in discussion with newer works from artists together with Woody Vašulka, Gyula Kosice, Christina Kubisch, or even Weibel himself.

Translated from German by way of Gerrit Jackson.