In intricately minimize collages by way of Ontario-based artist Christine Kim, plants, foliage, and crown-like adornments surround nameless portraits. Painted floral motifs on sparsely torn items of paper paired with slats of picket seem like lath uncovered underneath ornate wallpaper, offering a backdrop for the chic silhouettes. The flowery designs of the figures’ headdresses counsel wrought iron with refined strands of crops or ribbon in part obscuring their faces. In her sequence Paper Skinny, Kim explores myriad tactics for running with the ever present subject matter.
Impressed to inspect relationships between floor, trend, and quantity, she portrays how the medium can also be each fragile and cast, inflexible but versatile. She describes in a observation that the sequence conjures up “dualities of energy and vulnerability, as stark black fences crown the regal feminine figures, however those limitations are, in any case, simplest paper skinny.”
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