Iris Eichenberg’s Mid-Career Survey Makes Its West Coast Premiere at the Museum of Craft and Design


For the reason that mid-Seventies, artists international have reacted towards the age-old exclusivity and preciousness of knickknack, advocating as an alternative for conceptual statements creatively made from a large collection of non-precious fabrics. With a 30-year-and-counting studio observe targeted first in Europe and now in The us, German artist Iris Eichenberg is without doubt one of the maximum influential members to this discourse. As a result of her tireless interrogation of materiality, Eichenberg exemplifies what famous critic and curator Glenn Adamson calls the “post-disciplinary” artist. As a substitute of specializing in one medium and procedure, Eichenberg regularly seeks to seek out the craft processes and mixtures of fabrics that very best swimsuit the speculation handy.

In nowadays’s international with its outcry for social justice, Eichenberg engages the viewer in conversations that embody such well timed subjects as gender and queer identification; the seek for a protected, welcoming haven; and the veracity of truth.

Iris Eichenberg: The place Phrases Fail, one of the crucial Museum of Craft and Design’s latest exhibitions, is the primary mid-career survey of her paintings, with key loans of knickknack, items, and installations from world non-public and public collections in addition to Eichenberg’s intensive archive. Visitor curated via Davira S. Taragin, the exhibition incorporates 40 works of art documenting the artist’s construction from her groundbreaking commencement display on the Rietveld to new works created particularly for this survey.

On view now in San Francisco thru October 30, 2022, the exhibition is accompanied via an illustrated catalog with essays via curator Davira S. Taragin and artwork historian Benjamin Lignel.

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Iris Eichenberg: The place Phrases Fail is made conceivable, partly, via the Susan Beech Mid-Occupation Artist Grant from Artwork Jewellery Discussion board. The exhibition is generously supported via Goethe-Institut San Francisco, the Consulate Normal of the Federal Republic of Germany, Barbara Waldman, and Rodney Turner and Ken Thongcharoen.