Combinator is unquestionably out to mix a large number of stuff in his newest EP re//combinator, launched in June. A real twister of whip-fast D&B/business snares, analog steel blast beat drums, virtuosic vocals and a shocking dose of slap bass, this rock polisher of a 9th unencumber from the Seattle-based solo undertaking of Sean Fairchild has produced some not likely gemstones. We simply must make sense of them.
It’s transparent from earlier releases by way of Fairchild as Combinator that, in spite of being a multi-instrumentalist, his base is bass. That may provide an explanation for the Seinfeld-meets-Les Claypool-style funk bass paintings, and it’s as excellent a string to tug as any to begin unraveling the tech of re//combinator. Combining parts of analog instrumentalism corresponding to stated slap-and-pop bass, steel drumlines and thrash guitars with virtual parts like mod-produced drum & bass snares, ambient melodics, vocoder manipulation et all on this layout appears to be slightly new to Combinator, however he’s been gearing as much as it (pardon the pun).
Combinator if truth be told began out as a extra conventional funk/rock fusion band. 2013’s Vice & Hobby EP is a immediately up and down studio unencumber and next releases have been thus till the 2020 unmarried, “Juggernaut.” A Primus-eque love letter to his cherished bass combined with Zappa-style chaotic jam band vibes, “Juggernaut” appears to be the turning level at which Fairchild launched his interior experimental composer/performer. There was once obviously no going again from there.
“Juggernaut” was once additionally the primary monitor from Combinator to have programmed drums – most commonly semi-ameny snares – at the side of the analog, nevertheless it turns into in reality evident and EDM-mergy with the monitor following, “Can’t Faux to Know.” The primary sniff of indie-style vox hits right here as smartly, at the side of melodic six-string bass paintings and a few ambient unity programming. Combinator’s genre is forming with this monitor, and critically ramps up with “Eargoggle Fodder,” which launched November that very same yr with, for the primary time, an digital base melody which winds across the funk bass, extra indie (even though minimum) Maynard-like vocals or even the hints of Zappa once more, however this time a lot more composed.
Having a look at those lead-in tracks, enthusiasts can now see that the ear typhoon this is re//combinator didn’t simply come from a jam consultation between a talented bassist and digital manufacturer on ketamine, although one may surprise, particularly with regards to the “Respira” mixes. Actually, re//combinator is a development, or a re-combining of the entire musical parts Fairchild has liked in his musical profession. The primary two tracks, “Visitor In Your Personal Pores and skin” and the lyrically COVID-inspired “Issues that Must Be” pick out up the place “Juggernaut” and “Eargoggle Fodder” left off, with sun shades of commercial drums weaving in with the D&B snares and extra Instrument-like verses complimenting the shockingly complicated bass paintings.
After the relative (although now followable, composition-wise) chaos of the primary two tracks, the 3rd is in all probability a fair larger marvel than stated chaotic tracks: a remix/duvet of Imogen Heap‘s wildly well-liked and, via no fault of her personal, TikTok well-known music, “Conceal and Search.” We most effective point out TikTok becuase that well-known model could also be a remix, and Combinator’s remedy of the monitor is a little bit nearer to the unique. Fanatics may no longer even acknowledge it as such.
Filled with much more distorted vocoder than the unique, it virtually appears like Fairchild decompressed after which performed it backwards whilst including some bass prospers. His precise procedure wasn’t a long way off:
I recorded a number of tracks of vocoded bass guitar, blank bass guitar, and my blank vocals, recreating for essentially the most phase what she achieved with the vocoder synth she (Heap) used on her unique model. Then I created a heavy beat (foreshadowed within the intro) and a few harmonic string stabs to take the music out, layering some soulful bass-driven synth soloing on most sensible.
The result's an incredibly subtle comedown off the primary two tracks and an entrée into the following a part of Fairchild’s experiments in sound. “Caricature Persona Kid” is as ambient as we’ve observed Combinator get, because it looks like a dream collection from Journey Time. Bizarre and experimental as the opposite tracks, this ambient segue into the full-on EDM of the remainder of the EP (save bonus monitor “During the Fog”).
Collaboration has all the time been crucial a part of Combinator, and Fairchild labored with different musicians at the ultimate tracks of re//combinator in addition to on “Issues that Must Be” (the lure beat was once provided by way of Philip “Godcloud” Coleman). Well known online game and cinematic sound dressmaker Jesse Holt created the manufacturing the “Respira” membership combine and kick back mixes. Each mixes are technically kick back, particularly when it comes to the start of the EP, with area beats at other tempos and form of first light set ambient vibes.
For EP nearer “During the Fog,” Fairchild teamed up with former bandmate drummer Isaac Chirino, and it form of takes listeners complete circle, again to Combinator’s funky and jazzy roots. With this final, in spite of the development witnessed in re//combinator, the target audience is left questioning: will Combinator proceed within the extra ambient enviornment? Or is there to be extra chaos? Is he going again to funk? It’s as much as him to make a decision, and if re//combinator has taught us anything else, artists have the appropriate to re-style, re-work and re-combine their tune as they see have compatibility.